Not much action today. I’ve mainly been thinking about some new elements to my story. My new story that is. I am currently working on a feature length script, which will be submitted for my final University project. Instead of a dissertation, we get to write a feature length (which is a pretty sweet deal if you ask me
).
In any case, I’ve been hit with a few bits of inspiration for it recently. Part of which is down to my girlfriend, for giving me the name of my antagonist; Arion. Being a monarch, Arion sounds like a fitting name for him.
The story itself follows a female protagonist named Cassidy. She lives her life with her father on a strange planet that is covered in a “living mist”. The planet is fully populated, and the era of society is going to be a sort of steam-punk era. As for the mist, it has very strange properties, namely it breathes life into otherwise mundane objects, like plants; which are hostile on the planet.
Now, I have two directions I want to take the story in, both of which centre around Cassidy gaining a unique ability to control the mist and manifest it in different ways.
The first avenue of approach shows Cassidy living with her father, scourge-free for many years. But all her life she has been plagued by dreams of a foreign place, deep underneath the ground. She knows it is on the planet, but she doesn’t know where, or if it even exists. When she asks her father about it, he disavows it; making out that they are not important. This direction of story would probably make out the father to be a sort of villain in a sense, but I wasn’t sure if that would be too cliched.It would also mean that Cassidy has had her abilities all her life, but have laid dormant. The question to this end would be: Why do the powers suddenly manifest themselves here and now? Not sure yet.
The second approach to the story would be an event that gives Cassidy her powers, which, if you think about it, is also a cliche way of doing it, but it could open the story up to much more mystery, especially if the event isn’t fully explained at first. Here, Cassidy and her father investigate a massive cave system deep underground. A surge in mist production has caused the wildlife and plant-life to become much more hostile than usual, and pose a large threat to nearby towns. When Cass and her father move deeper into the caves Cassidy comes across a huge antechamber housing an object that we, as the viewers, do not see. A scream is heard from where her father is, and, as he rushes to her, he finds her lifeless body collapsed on the floor. The ground shakes and he carries her body away. Two days later she wakes up with pale white skin, and symmetrical scars all over her body. From here, her powers begin.
The second seems much more appealing, as the viewer could potentially be trying to guess what was in that cave, and why Cassidy reacted the way she did. It seems much more viable as a means for storytelling. Need to think more, but let me know what you think about the directions. I’ll see which is more appealing to audience interpretation.
That’s about it for today I think. To be fair I’ve had a lot of procrastination today. I have the remnants of a cold which sucks. Feel sluggish.
Anyway, I’ll keep the blog updated on any revelations, changes and such. I’ll also be posting a new script every two weeks. I have a library of them, but I want to give people time to read them. So I’ll do them every two weeks for now, but if anyone wants something more to read, message me on my blog, or twitter, and I’ll send you a new script exclusively.
I also have some prose stuff to share later on as well, so stay tuned.
See ya.
